Dorian Gray

By Hugh Behm-Steinberg

The son finds his mother hanging from a pipe near her bedroom ceiling by a leather belt he made for her last Christmas.

Mom, why did you kill yourself? asks the son.

Because I could not accept the limitations of this life, says the dead mother.

That makes sense, says the son; there are many limitations. For instance, hunger, money, and the unbearable loneliness I often feel at night.

Yes, exactly, says the dead mother; you understand perfectly.

But we could have maybe talked more before you hung yourself. I could have touched your face or made you oatmeal sprinkled with cinnamon for your last breakfast.

Yes, we could have done those things. But the money problems and the hunger problems and the loneliness problems will not go away.

No, they won't, but you could have been braver.

Yes, I could have been braver.

Being very tall, the son stands on his mother's bed and unties her from the pipe, now leaking.

You didn't have to do that, says the dead mother.

But I love you, says the son, even if I do not always express my love as I should.

And I love you, even though, like yours, my love is often ugly.

The son carries his dead mother to her car outside their sagging apartment building. Thankfully, the car starts--it has a habit of not starting. The son drives to the country where the dead mother asks him to stop beside an old oak tree.Yes, this is where I would like to be buried. She likes how the tree stands alone in the field. Having no shovel, the son begins to dig into the tall yellow grass with his hands. The dead mother watches the clouds change slowly above her, wishing God had made her a cloud rather than a mother who didn't know how to be brave.


Hugh Behm-Steinberg‘s prose can be found in The Fabulist, *82 Review, Gone Lawn, and Gigantic. His short story “Taylor Swift”won the 2015 Barthelme Prize from Gulf Coast. He is a member of the non-ranked faculty collective bargaining team at California College of the Arts in San Francisco.